"My choreography and dramaturgy, embodied by my Filipinx American body, fall into these traumas: my own, my family’s, and my ancestors’. These owned and inherited traumas are invisibilized in a landscape of systemic oppression, but performance can highlight their embodied worlds. And yet they are more than all of these things. My dramaturgy is not simply connected to my Asian American history or identity; my performances do not simply represent Asian American histories. Many other histories and planets, often not seen, are part of my dramaturgy."
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